Looking from the gardens towards the rear of the house

The front entrance

The stonework around the chapel windows includes this carving of St Matthew the Evangelist. At one time it was brightly painted: traces of green and red still survive under the modern limewash.

Another view of the entrance front

Teignmouth from Shaldon

The Shaldon – Teignmouth ferry, with Christmas trimmings

Teignmouth from Shaldon

John Masefield and Spike Milligan on the wall of the Ness Bar, Shaldon

Lime kiln, The Ness, Shaldon

07.36: Sunlight just beginning to break through the trees. Deer hoofprints in the mud alongside the path and a small group spotted off the the right in a patch of scrub.

07.38: Two deer ran out from the trees and crossed the path some distance ahead of me. This was the only picture I managed to get and it’s been fairly drastically cropped. My daughter-in-law had better luck the following day.

08.00: Back on the tarmac. I saw more deer in the woods just across from here and with the sunshine and early morning mist further down the valley it made a nice ending to the outing.

The 15th-century font is carved from Beer stone. The cover dates from the 17th or early 18th century.

The rood screen dates from circa 1470-80. The original 15th-century oak benches still survive but have been enclosed within 18th-century panelling to form box pews.

A stone reredos circa 1840 has two panels displaying the Ten Commandments. The surrounding stonework is mediaeval and the carved woodwork of the altar front comes from the mediaeval pulpit.

A ‘Vinegar Bible’ published by in 1717 by John Baskett, printer to George III and the University of Oxford.

Baskett was responsible for printing many fine books but this particular edition contained many errors. The most famous misprint occurs in the page heading in Luke 20:9, where “The Parable of the Vineyard” became “The Parable of the Vinegar”, hence the nickname. Because of their value a number of these bibles have been stolen in recent years; this one is stored in a locked case and positioned safely out of reach within a side chapel.

These beautiful slate ledger stones date  from the 17th century. The floor throughout the church is uncarpeted and along with the plain glass in many of the windows this creates an atmosphere of modest simplicity. As a result the elaborately carved and painted rood screen appears even more lavish by contrast.

Surviving fragments of old stained glass in the tracery lights of one of the east windows.

A vaulted ceiling in the entrance porch.

- Read more on the British Listed Buildings website.

- The Churches Conservation Trust website has an excellent photo of the exterior when it was freshly painted and more pictures of the painted screen.

Early morning sunshine in St Gregory’s churchyard, Dawlish

Our original plan to take advantage of the beautiful spring weather by visiting Wistman’s Wood had to be abandoned after we found the Two Bridges car parking spaces completely full. Instead we headed down towards Whiteworks, where we ate a picnic lunch and set off for a short walk along a nearby footpath to enjoy the views.

Although we’d chosen our route pretty much at random, and mainly on the basis that it looked easy for me to cope with, it turned out to be an inspired choice and led us towards Nun’s Cross, or Siward’s Cross as it’s also known. The building in the picture is Nun’s Cross Farm, and Siward’s Cross is visible on the path to the right.

After I got home and did a search online I discovered that this is the oldest and largest of all the Dartmoor crosses, so finding it by chance was wonderfully lucky. Tim Sandles’ brilliant ‘Legendary Dartmoor’ website has all the necessary information here…

It seemed like a good place to take a photo of Tom and Lil. We weren’t able to decipher the writing on the cross, although Lil’s guess of ‘Bug Land’ came close and really should have given us a clue. It’s generally agreed to read ‘BocLonD’, and may refer to Buckland Abbey, but it’s clear from the Legendary Dartmoor entry that there are many possible theories around.

The usual bleached post-winter colouring of the moor has been made more dramatic this year by the fact that we haven’t had as much rain as usual. This view to the north east of the Whiteworks road was taken as we were on our way back from Siward’s Cross.

A second attempt at the Wistman’s Wood car parking showed it hadn’t got any emptier, so we continued to Bellever Forest and headed up towards Laughter Hole Farm (a name that calls for some research…). We saw a big fox silhouetted on the track some distance ahead of us, and when it turned and moved away through patches of sunshine its coat lit up bright russet.

It’s always a surprise to me how swiftly Dartmoor changes in a very short distance, especially when travelling on foot – during the first part of the day conditions altered in moments from chilly and wind-battered to hot and sun-baked. At Bellever some parts of the forest were windy, dry and hot, but in other places the air was damp and full of the scent of pine trees. Laughter Hole Farm occupies a lovely position high above the East Dart Valley, and sitting on some piled timber listening to siskins and crossbills and soaking up the afternoon sunshine before heading back to the car made a perfect way to finish the day.

The weather was poor on Air Show day this year and some of the afternoon displays had to be cancelled. I was planning to go out at 08.30 to take photos of the helicopters coming in to Smuggler’s Inn field, which I hadn’t managed to do in previous years, but it was raining hard first thing so I abandoned that idea. I eventually went down at about 11.00 and got these two pictures. The Lynx was doing a demo for photographers but the Sea King was actually heading out on a rescue call – two girls fell off the sea wall down by Boat Cove and needed medical attention. The tide was out and they fell about 15ft onto to the beach, but luckily they weren’t badly hurt. (See Dawlish Gazette website for the full story.)